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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
  • Image 2 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 3 Rashtrakuta control around 790 AD, during the Tripartite Struggle The Rashtrakutas were a royal Indian dynasty ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language. The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)

    Rashtrakuta control around 790 AD, during the Tripartite Struggle

    The Rashtrakutas were a royal Indian dynasty ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language.

    The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)
  • Image 4 Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
    Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital

    Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
  • Image 5 The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han. Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)

    The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han

    Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.

    Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)
  • Image 6 Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha. Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
    Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha.

    Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
  • Image 7 Greatest extent of the Western Chalukya Empire, 1121D The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada-speaking dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani. For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)

    Greatest extent of the Western Chalukya Empire, 1121D

    The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada-speaking dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani.

    For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)
  • Image 8 Dilwale Dulhania Le Jayenge (transl.  The Brave-Hearted Will Take the Bride), also known by the initialism DDLJ, is a 1995 Indian Hindi-language musical romance film written and directed by Aditya Chopra in his directorial debut and produced by his father Yash Chopra. Released on 20 October 1995, the film stars Shah Rukh Khan and Kajol as Raj and Simran, two young non-resident Indians, who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London, and Switzerland, from September 1994 to August 1995. With an estimated total gross of ₹102.5 crore (today's adjusted gross ₹524 crore), with ₹89 crore (today's adjusted gross ₹455 crore) earned in India and ₹13.50 crore (today's adjusted gross ₹69 crore) in overseas, the film was the highest-grossing Indian film of 1995 and one of the most successful Indian films in history. When adjusted for inflation, it is the second highest-grossing Indian film of the 1990s, behind Hum Aapke Hain Koun..! It won 10 Filmfare Awards—the most for a single film at that time—and the National Film Award for Best Popular Film Providing Wholesome Entertainment. Its soundtrack album became one of the most popular of the 1990s. (Full article...)
    Dilwale Dulhania Le Jayenge (transl.  The Brave-Hearted Will Take the Bride), also known by the initialism DDLJ, is a 1995 Indian Hindi-language musical romance film written and directed by Aditya Chopra in his directorial debut and produced by his father Yash Chopra. Released on 20 October 1995, the film stars Shah Rukh Khan and Kajol as Raj and Simran, two young non-resident Indians, who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London, and Switzerland, from September 1994 to August 1995.

    With an estimated total gross of ₹102.5 crore (today's adjusted gross ₹524 crore), with ₹89 crore (today's adjusted gross ₹455 crore) earned in India and ₹13.50 crore (today's adjusted gross ₹69 crore) in overseas, the film was the highest-grossing Indian film of 1995 and one of the most successful Indian films in history. When adjusted for inflation, it is the second highest-grossing Indian film of the 1990s, behind Hum Aapke Hain Koun..! It won 10 Filmfare Awards—the most for a single film at that time—and the National Film Award for Best Popular Film Providing Wholesome Entertainment. Its soundtrack album became one of the most popular of the 1990s. (Full article...)
  • Image 9 Core area of Western Chalukya architectural activity in modern Karnataka state, India Western Chalukya architecture (Kannada: ಪಶ್ಚಿಮ ಚಾಲುಕ್ಯ ವಾಸ್ತುಶಿಲ್ಪ), also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style. Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
    Core area of Western Chalukya architectural activity in modern Karnataka state, India

    Western Chalukya architecture (Kannada: ಪಶ್ಚಿಮ ಚಾಲುಕ್ಯ ವಾಸ್ತುಶಿಲ್ಪ), also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.

    Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
  • Image 10 Padukone at the 2018 Cannes Film Festival Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. She features in listings of the nation's most popular personalities; Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022. Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)

    Padukone at the 2018 Cannes Film Festival

    Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. She features in listings of the nation's most popular personalities; Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022.

    Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)
  • Image 11 Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: [ˈdard͡ziliŋ], Bengali: [ˈdarˌdʒiliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days. In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)

    Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: [ˈdard͡ziliŋ], Bengali: [ˈdarˌdʒiliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days.

    In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)
  • Image 12 Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language psychological drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder. Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
    Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language psychological drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder.

    Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
  • Image 13 Greatest extent of the Chalukya Empire, 636 AD, 740 AD The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century. The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)

    Greatest extent of the Chalukya Empire, 636 AD, 740 AD

    The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century.

    The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)
  • Image 14 Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film. The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
    Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.

    The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
  • Image 15 Vidya in 2024 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)

    Vidya in 2024

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)
  • Image 16 Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction action film co-written and directed by S. Shankar. It is the first instalment in the Enthiran film series. The film stars Rajinikanth in the main dual lead role as a scientist and the robot he created. Aishwarya Rai Bachchan, Danny Denzongpa, Santhanam and Karunas play supporting roles. The soundtrack album and background score were composed by A. R. Rahman while the dialogues, cinematography, editing and art direction were handled by Madhan Karky, R. Rathnavelu, Anthony and Sabu Cyril respectively. The story revolves around the struggle of a scientist named Vaseegaran to control his sophisticated android robot named Chitti, after Chitti's software is upgraded to give it the ability to comprehend and exhibit human emotions and to commission it to the Indian Army. The project backfires when Chitti falls in love with Vaseegaran's girlfriend Sana, and is manipulated by Vaseegaran's mentor Bohra into becoming homicidal. After being stalled in the development phase for nearly a decade, the film's principal photography began in 2008 and lasted two years. The film marked the debut of Legacy Effects studio (which was responsible for the film's prosthetic make-up and animatronics) in Indian cinema. Enthiran was released worldwide on 1 October 2010. Produced by Kalanithi Maran, it was India's most expensive film up to that point. (Full article...)
    Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction action film co-written and directed by S. Shankar. It is the first instalment in the Enthiran film series. The film stars Rajinikanth in the main dual lead role as a scientist and the robot he created. Aishwarya Rai Bachchan, Danny Denzongpa, Santhanam and Karunas play supporting roles. The soundtrack album and background score were composed by A. R. Rahman while the dialogues, cinematography, editing and art direction were handled by Madhan Karky, R. Rathnavelu, Anthony and Sabu Cyril respectively. The story revolves around the struggle of a scientist named Vaseegaran to control his sophisticated android robot named Chitti, after Chitti's software is upgraded to give it the ability to comprehend and exhibit human emotions and to commission it to the Indian Army. The project backfires when Chitti falls in love with Vaseegaran's girlfriend Sana, and is manipulated by Vaseegaran's mentor Bohra into becoming homicidal.

    After being stalled in the development phase for nearly a decade, the film's principal photography began in 2008 and lasted two years. The film marked the debut of Legacy Effects studio (which was responsible for the film's prosthetic make-up and animatronics) in Indian cinema. Enthiran was released worldwide on 1 October 2010. Produced by Kalanithi Maran, it was India's most expensive film up to that point. (Full article...)
  • Image 17 Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status. Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$830,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
    Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status.

    Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$830,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
  • Image 18 Roshan in 2016 Hrithik Roshan (pronounced [ɾɪt̪ɪk ɾoʃən]; born 10 January 1974) is an Indian actor who works in Hindi cinema. He has portrayed a variety of characters and is known for his dancing skills. One of the highest-paid actors in India, he has won many awards, including six Filmfare Awards, of which four were for Best Actor. Starting from 2012, he has appeared in Forbes India's Celebrity 100 several times based on his income and popularity. Roshan has frequently collaborated with his father, Rakesh Roshan. He made brief appearances as a child actor in several films in the 1980s and later worked as an assistant director on four of his father's films. His first leading role was in the box-office success Kaho Naa... Pyaar Hai (2000), for which he received several awards. Performances in the 2000 terrorism drama Fiza and the 2001 ensemble family drama Kabhi Khushi Kabhie Gham... consolidated his reputation but were followed by several poorly received films. (Full article...)

    Roshan in 2016

    Hrithik Roshan (pronounced [ɾɪt̪ɪk ɾoʃən]; born 10 January 1974) is an Indian actor who works in Hindi cinema. He has portrayed a variety of characters and is known for his dancing skills. One of the highest-paid actors in India, he has won many awards, including six Filmfare Awards, of which four were for Best Actor. Starting from 2012, he has appeared in Forbes India's Celebrity 100 several times based on his income and popularity.

    Roshan has frequently collaborated with his father, Rakesh Roshan. He made brief appearances as a child actor in several films in the 1980s and later worked as an assistant director on four of his father's films. His first leading role was in the box-office success Kaho Naa... Pyaar Hai (2000), for which he received several awards. Performances in the 2000 terrorism drama Fiza and the 2001 ensemble family drama Kabhi Khushi Kabhie Gham... consolidated his reputation but were followed by several poorly received films. (Full article...)
  • Image 19 Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects. Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
    Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects.

    Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
  • Image 20 Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles. The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
    Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles.

    The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
  • Image 21 Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai. Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
    Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai.

    Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
  • Image 22 Male in Serengeti National Park, Tanzania The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator; although some lions scavenge when opportunities occur and have been known to hunt humans, lions typically do not actively seek out and prey on humans. The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)

    Male in Serengeti National Park, Tanzania

    The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator; although some lions scavenge when opportunities occur and have been known to hunt humans, lions typically do not actively seek out and prey on humans.

    The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)
  • Image 23 Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film. The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
    Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film.

    The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
  • Image 24 Murray in 1928 Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career. Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–03, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of a widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)

    Murray in 1928

    Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career.

    Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–03, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of a widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)
  • Image 25 Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed] Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
    Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed]

    Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
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Selected pictures

  • Image 1 Potter Photo: Yann A potter at work in Jaura, Madhya Pradesh, India. Pottery, defined by ASTM International as "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products", originated during the Neolithic period. More selected pictures
    Photo: Yann
    A potter at work in Jaura, Madhya Pradesh, India. Pottery, defined by ASTM International as "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products", originated during the Neolithic period.
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  • Image 2 Rudra Mahalaya Temple Photograph credit: Bourne & Shepherd; retouched by Yann Forget The Rudra Mahalaya Temple is an ancient temple complex at Siddhpur in the Patan district of Gujarat, India. The temple was completed in 1140 by Jayasimha Siddharaja, but in 1296, Alauddin Khalji sent an army under Ulugh Khan and Nusrat Khan, who dismantled the structure. In 1414 or 1415, the temple was further destroyed and the western part was converted into a congregational mosque by Muslim ruler Ahmad Shah I of the Muzaffarid dynasty. Apart from the mosque, the surviving fragments consist of two porches, a torana (ornamental gateway) and a few pillars. More selected pictures
    Photograph credit: Bourne & Shepherd; retouched by Yann Forget
    The Rudra Mahalaya Temple is an ancient temple complex at Siddhpur in the Patan district of Gujarat, India. The temple was completed in 1140 by Jayasimha Siddharaja, but in 1296, Alauddin Khalji sent an army under Ulugh Khan and Nusrat Khan, who dismantled the structure. In 1414 or 1415, the temple was further destroyed and the western part was converted into a congregational mosque by Muslim ruler Ahmad Shah I of the Muzaffarid dynasty. Apart from the mosque, the surviving fragments consist of two porches, a torana (ornamental gateway) and a few pillars.
    More selected pictures
  • Image 3 Papilio polymnestor Photograph credit: Jeevan Jose Papilio polymnestor, the blue Mormon, is a species of swallowtail butterfly found in southern India and Sri Lanka. It is a woodland species, often seen on forest paths and near streams. The larvae feed on trees in the family Rutaceae, such as citrus. Young larvae are green with white markings and position themselves on the upper surface of leaves, relying on their cryptic colouring, which resembles bird droppings, for protection. Older larvae seek less conspicuous locations, and have a unique habit of securing their balance by weaving silk on the substratum. This adult male P. polymnestor butterfly was photographed in the Indian state of Kerala. More selected pictures
    Photograph credit: Jeevan Jose
    Papilio polymnestor, the blue Mormon, is a species of swallowtail butterfly found in southern India and Sri Lanka. It is a woodland species, often seen on forest paths and near streams. The larvae feed on trees in the family Rutaceae, such as citrus. Young larvae are green with white markings and position themselves on the upper surface of leaves, relying on their cryptic colouring, which resembles bird droppings, for protection. Older larvae seek less conspicuous locations, and have a unique habit of securing their balance by weaving silk on the substratum. This adult male P. polymnestor butterfly was photographed in the Indian state of Kerala.
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  • Image 4 Leptosia nina Photograph credit: Jeevan Jose Leptosia nina, known as the psyche, is a species of butterfly in the family Pieridae (the sulphurs, yellows and whites), found in the Indian subcontinent, southeastern Asia, and Australia. It has a small wingspan of 2.5 to 5 cm (1 to 2 in). The upper side of the otherwise white forewing has a large, somewhat pear-shaped, black spot; this spot is also present on the underside which is scattered with greenish dots and speckles, sometimes arranged in bands. This L. nina butterfly was photographed in Kerala, India. More selected pictures
    Photograph credit: Jeevan Jose
    Leptosia nina, known as the psyche, is a species of butterfly in the family Pieridae (the sulphurs, yellows and whites), found in the Indian subcontinent, southeastern Asia, and Australia. It has a small wingspan of 2.5 to 5 cm (1 to 2 in). The upper side of the otherwise white forewing has a large, somewhat pear-shaped, black spot; this spot is also present on the underside which is scattered with greenish dots and speckles, sometimes arranged in bands. This L. nina butterfly was photographed in Kerala, India.
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  • Image 5 Nataraja Photo: Los Angeles County Museum of Art A statue of the Hindu god Shiva as Nataraja, the Lord of Dance. In this form, Shiva performs his divine dance to destroy a weary universe and make preparations for the god Brahma to start the process of creation. A Telugu and Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The form is present in most Shiva temples in South India, and is the main deity in Chidambaram Temple, the foremost Shaivist temple. More selected pictures
    Photo: Los Angeles County Museum of Art
    A statue of the Hindu god Shiva as Nataraja, the Lord of Dance. In this form, Shiva performs his divine dance to destroy a weary universe and make preparations for the god Brahma to start the process of creation. A Telugu and Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The form is present in most Shiva temples in South India, and is the main deity in Chidambaram Temple, the foremost Shaivist temple.
    More selected pictures
  • Image 6 Pied bush chat Photograph credit: Charles James Sharp The pied bush chat (Saxicola caprata) is a small passerine bird widely distributed in Asia. The males are black with white shoulder and vent patches, while the females are predominantly brownish. This species is insectivorous, and like other chats hunts from a prominent low perch. This female pied bush chat was photographed in Pench National Park, India. More selected pictures
    Photograph credit: Charles James Sharp
    The pied bush chat (Saxicola caprata) is a small passerine bird widely distributed in Asia. The males are black with white shoulder and vent patches, while the females are predominantly brownish. This species is insectivorous, and like other chats hunts from a prominent low perch. This female pied bush chat was photographed in Pench National Park, India.
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  • Image 7 Dharmaraya Swamy Temple Photograph credit: Muhammad Mahdi Karim The Dharmaraya Swamy Temple is one of the oldest temples in Bangalore, India. It is thought to be more than 800 years old and is built in the Dravidian style, with a gopuram, an ornate monumental entrance tower. Gods worshipped here include Dharmaraya, Krishna, Arjuna, Draupadi and Bhima. The Karaga festival starts from the temple each year; the festival is dedicated to Draupadi, the most important female character in the Hindu epic, the Mahabharata. Starting at midnight, a priest dressed as a woman carries an earthen pot filled with water and adorned with decorations several feet high on his head in procession through the town, preceded by hundreds of bare-chested, dhoti-clad, turbaned Veerakumaras bearing unsheathed swords. More selected pictures
    Photograph credit: Muhammad Mahdi Karim
    The Dharmaraya Swamy Temple is one of the oldest temples in Bangalore, India. It is thought to be more than 800 years old and is built in the Dravidian style, with a gopuram, an ornate monumental entrance tower. Gods worshipped here include Dharmaraya, Krishna, Arjuna, Draupadi and Bhima.

    The Karaga festival starts from the temple each year; the festival is dedicated to Draupadi, the most important female character in the Hindu epic, the Mahabharata. Starting at midnight, a priest dressed as a woman carries an earthen pot filled with water and adorned with decorations several feet high on his head in procession through the town, preceded by hundreds of bare-chested, dhoti-clad, turbaned Veerakumaras bearing unsheathed swords.
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  • Image 8 Catopsilia pyranthe Photo: Joydeep Catopsilia pyranthe is a medium sized butterfly of the family Pieridae. It is found in South Asia, Southeast Asia and parts of Australia. This male was photographed in West Bengal, India. More selected pictures
    Photo: Joydeep
    Catopsilia pyranthe is a medium sized butterfly of the family Pieridae. It is found in South Asia, Southeast Asia and parts of Australia. This male was photographed in West Bengal, India.
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  • Image 9 Taj Mahal Photograph: Yann; edit: Jim Carter A view of the Taj Mahal from the south, featuring the Charbagh garden. The mausoleum complex also includes subsidiary tombs, waterworks infrastructure, the small town of Taj Ganji, and a "moonlight garden". Its origins and architecture have been extensively documented, covering both the circumstances of its commission and the cultural and historical influence of the Islamic Mughal Empire in India. More selected pictures
    Photograph: Yann; edit: Jim Carter
    A view of the Taj Mahal from the south, featuring the Charbagh garden. The mausoleum complex also includes subsidiary tombs, waterworks infrastructure, the small town of Taj Ganji, and a "moonlight garden". Its origins and architecture have been extensively documented, covering both the circumstances of its commission and the cultural and historical influence of the Islamic Mughal Empire in India.
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  • Image 10 Nilgai Photograph credit: Charles J. Sharp The nilgai or blue bull (Boselaphus tragocamelus) is the largest Asian antelope and is endemic to the Indian subcontinent. The sole member of the genus Boselaphus, the species was described and given its binomial name by German zoologist Peter Simon Pallas in 1766. The nilgai stands 1–1.5 metres (3.3–4.9 ft) at the shoulder; males weigh 109–288 kilograms (240–635 lb), and the lighter females 100–213 kilograms (220–470 lb). A sturdy thin-legged antelope, the nilgai is characterised by a sloping back, a deep neck with a white patch on the throat, a short crest of hair along the neck terminating in a tuft, and white facial spots. A column of pendant coarse hair hangs from the dewlap ridge below the white patch. Sexual dimorphism is prominent – while females and juveniles are orange to tawny, adult males have a bluish-grey coat. Only males possess horns, which are 15–24 centimetres (5.9–9.4 in) in length. This picture shows a male nilgai in a potato field at Jamtra, in the Indian state of Madhya Pradesh. More selected pictures
    Photograph credit: Charles J. Sharp
    The nilgai or blue bull (Boselaphus tragocamelus) is the largest Asian antelope and is endemic to the Indian subcontinent. The sole member of the genus Boselaphus, the species was described and given its binomial name by German zoologist Peter Simon Pallas in 1766. The nilgai stands 1–1.5 metres (3.3–4.9 ft) at the shoulder; males weigh 109–288 kilograms (240–635 lb), and the lighter females 100–213 kilograms (220–470 lb). A sturdy thin-legged antelope, the nilgai is characterised by a sloping back, a deep neck with a white patch on the throat, a short crest of hair along the neck terminating in a tuft, and white facial spots. A column of pendant coarse hair hangs from the dewlap ridge below the white patch. Sexual dimorphism is prominent – while females and juveniles are orange to tawny, adult males have a bluish-grey coat. Only males possess horns, which are 15–24 centimetres (5.9–9.4 in) in length.

    This picture shows a male nilgai in a potato field at Jamtra, in the Indian state of Madhya Pradesh.
    More selected pictures
  • Image 11 Round ribbontail ray Photograph credit: Rucha Karkarey; edited by John Harrison The round ribbontail ray (Taeniura meyeni) is a species of stingray in the family Dasyatidae, found throughout the nearshore waters of the tropical Indo-Pacific region. Reaching 1.8 m (6 ft) across, this large ray is characterized by a thick, rounded pectoral fin disc covered by small tubercles on top, and a relatively short tail bearing a single venomous spine. The ray is well-camouflaged when lying on the seabed; it is largely nocturnal, and preys on molluscs, crustaceans and bony fish. Mature females bear litters of up to seven pups, which are fed during gestation on "uterine milk", a product secreted by the walls of the oviduct. This round ribbontail ray was photographed in Lakshadweep, India. More selected pictures
    Photograph credit: Rucha Karkarey; edited by John Harrison
    The round ribbontail ray (Taeniura meyeni) is a species of stingray in the family Dasyatidae, found throughout the nearshore waters of the tropical Indo-Pacific region. Reaching 1.8 m (6 ft) across, this large ray is characterized by a thick, rounded pectoral fin disc covered by small tubercles on top, and a relatively short tail bearing a single venomous spine. The ray is well-camouflaged when lying on the seabed; it is largely nocturnal, and preys on molluscs, crustaceans and bony fish. Mature females bear litters of up to seven pups, which are fed during gestation on "uterine milk", a product secreted by the walls of the oviduct. This round ribbontail ray was photographed in Lakshadweep, India.
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  • Image 12 Macrotyloma uniflorum Photograph credit: Prathyush Thomas Macrotyloma uniflorum, commonly known as horse gram, is a legume native to tropical southern Asia. The plant grows from a rhizome, sending up annual shoots to a height of 60 cm (24 in). The flowers are cream, yellow or pale green and are followed by short pods. The seeds, pictured here, have been consumed in India for at least 4,000 years and are used both for animal feed and human consumption, including Ayurvedic cuisine. In other tropical countries in southeastern Asia, and in northern Australia, the plant is grown mainly as a fodder crop and for use as green manure. It is a drought-tolerant plant, largely cultivated in areas with low rainfall. More selected pictures
    Photograph credit: Prathyush Thomas
    Macrotyloma uniflorum, commonly known as horse gram, is a legume native to tropical southern Asia. The plant grows from a rhizome, sending up annual shoots to a height of 60 cm (24 in). The flowers are cream, yellow or pale green and are followed by short pods. The seeds, pictured here, have been consumed in India for at least 4,000 years and are used both for animal feed and human consumption, including Ayurvedic cuisine. In other tropical countries in southeastern Asia, and in northern Australia, the plant is grown mainly as a fodder crop and for use as green manure. It is a drought-tolerant plant, largely cultivated in areas with low rainfall.
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  • Image 13 Al-Ameen College of Pharmacy Photo: Muhammad Mahdi Karim Al-Ameen College of Pharmacy is a pharmacy college in Bangalore, India. Established in 1983, it is under the purview of the Al-Ameen Educational Society. More selected pictures
    Al-Ameen College of Pharmacy
    Photo: Muhammad Mahdi Karim
    Al-Ameen College of Pharmacy is a pharmacy college in Bangalore, India. Established in 1983, it is under the purview of the Al-Ameen Educational Society.
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  • Image 14 Southern plains grey langur Photograph credit: Charles J. Sharp The southern plains gray langur (Semnopithecus dussumieri) is a species of Old World monkey native to the Indian subcontinent. It is about 62 cm (24 in) tall and lives in groups in various forest habitats, feeding mainly on leaves, fruit and flowers in the canopy, supplementing these with insects, gum, grasses, herbs and roots. The monkeys are considered sacred in India, and some are used by Hindu priests for religious purposes. They have adapted to living in close proximity to humans in urban settings; they are often fed by humans and accept cakes, millet, and other foods. The species is protected by law in India, but some are still persecuted for damaging crops, hunted for food and captured for pets. This photograph of a female southern plains gray langur was taken in Kanha Tiger Reserve, in the Indian state of Madhya Pradesh. The park was created on 1 June 1955 and was designated a tiger reserve in 1973. More selected pictures
    Photograph credit: Charles J. Sharp
    The southern plains gray langur (Semnopithecus dussumieri) is a species of Old World monkey native to the Indian subcontinent. It is about 62 cm (24 in) tall and lives in groups in various forest habitats, feeding mainly on leaves, fruit and flowers in the canopy, supplementing these with insects, gum, grasses, herbs and roots. The monkeys are considered sacred in India, and some are used by Hindu priests for religious purposes. They have adapted to living in close proximity to humans in urban settings; they are often fed by humans and accept cakes, millet, and other foods. The species is protected by law in India, but some are still persecuted for damaging crops, hunted for food and captured for pets.

    This photograph of a female southern plains gray langur was taken in Kanha Tiger Reserve, in the Indian state of Madhya Pradesh. The park was created on 1 June 1955 and was designated a tiger reserve in 1973.
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  • Image 15 K. T. Thomas Photograph credit: Augustus Binu K. T. Thomas (born 30 January 1937) is a former judge of the Supreme Court of India, known for his strong opinions on Indian socio-political matters. He was selected as a district and sessions judge in 1977, and became a judge of the Kerala High Court in 1985. A decade later, he was appointed a judge of the Supreme Court, on which he served until retiring in 2002. He was awarded the Padma Bhushan by the Indian government in 2007 for services in the field of social affairs. More selected pictures
    Photograph credit: Augustus Binu
    K. T. Thomas (born 30 January 1937) is a former judge of the Supreme Court of India, known for his strong opinions on Indian socio-political matters. He was selected as a district and sessions judge in 1977, and became a judge of the Kerala High Court in 1985. A decade later, he was appointed a judge of the Supreme Court, on which he served until retiring in 2002. He was awarded the Padma Bhushan by the Indian government in 2007 for services in the field of social affairs.
    More selected pictures
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15 November 2024 –
Ten infants are killed and 16 others are injured in a fire inside a neonatal intensive care unit at the Jhansi Medical College hospital in Jhansi, Uttar Pradesh, North India. (AP)
13 November 2024 – 2024 Indo-Pakistani smog
New Delhi, India, reports its 15th consecutive day with a "very poor" recorded air quality index due to significant air pollution causing zero meter visibility smog. (The Hindu)
13 November 2024 – Bulldozer Justice
The Supreme Court of India rules that it is unconstitutional for the government to demolish property belonging to people suspected of crimes without a legal process, a practice common in states ruled by the Bharatiya Janata Party. (The Times of India) (DW)
4 November 2024 – 2024 Almora bus accident
At least 36 people are killed and 27 others are injured when a bus plunges into a gorge near Marchula, Uttarakhand, India. (The Indian Express) (ABC News)
3 November 2024 – Insurgency in Jammu and Kashmir
At least eleven people are injured in a grenade explosion caused by an unknown militant group in a flea market in Srinagar, Jammu and Kashmir, India. (Reuters)

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